Albert H wrote: ↑Mon Jan 08, 2018 2:41 am There's a problem with a simple meter like that - it'll only work with constant tones. It's used for setting up the deviation (75kHz peak in most of the world), and can be used for adjusting your stereo pilot tone (should be 7.5kHz deviation on its own). Unfortunately, the meter won't be fast enough (mechanically) to follow the rapid changes that occur with real audio modulation.

However, it will be good enough to set up the deviation with constant tones of known levels. The meter switch also has positions for left and right audio (again only good enough for steady-state tones). What you will be able to do (assuming the calibration of the meter is OK) is set up your basic levels before applying audio.

If you want to monitor instantaneous levels of audio, you need a PPM (NOT a VU meter - they're too slow and under-read for that reason). The PPM was developed by the BBC back in the 1940s, and is simply calibrated from 0 - 7 with white numbers on a black background. The electronics driving the meter movement compensates for the slowness of the "ballistic" of the meter movement and will therefore read correctly, with a very fast attack and slowed decay to make level watching easy. "0" level - the industry standard 0.775V into 600Ω is indicated by a reading of "4" on the PPM, and each graduation is 4dB, so peak level is at +8dB - PPM "6". Anything over this level is overmodulated.

In radio studios it's common to have as many as three PPMs (sometimes four), usually with pairs of needles - red and green for "right" and "left", white and yellow for "sum" and "difference" (important when broadcasting in stereo) and subsidiary meters for pre-fade level checking, sometimes separated for the "music" and "speech" sub-mixes on the desk (since they'll be processed differently by the compressors and limiters).

Those of you who thought that a radio studio consisted of a disco mixer and a couple of decks and a microphone are wildly under-estimating the equipment that's used in professional broadcasting!

220px-Sifam.type34A.British.ppm.jpg


220px-Spliced.oldppm.jpg
250px-Paqt_meter.ab.png
250px-Paqt_meter.m6.png

thewisepranker wrote: ↑Mon Jan 08, 2018 11:28 am I think the 10 kHz setting might be for setting the level of the stereo pilot tone and only displays 10 kHz of deviation at full scale deflection. Think of it as being zoomed in ten times when compared to the 100 kHz reading. There may also be a bandpass filter on the 10 kHz setting to stop full audio being included in that particular deviation measurement, so that the pointer doesn't smash into the housing as it tries to display 750%.

100 kHz should be the full MPX and the one you are mainly interested in.

I don't know if this is correct though as I don't have one to mess about with.